Sunday, 25 August 2013
Scritchy's To Do List and Other Knitting Fables
Oliver always liked to have a nice studio portrait taken of him and Peaches to use on their Christmas cards. Peaches could only be thankful that this year's shot wasn't as bad as that of the last three years. She was still planning on knocking over and breaking the 8" x 10" framed photo Oliver put in the living room as usual.
Sometimes it had been too long between brushings and Jasper couldn't bear to face the world.
"Can you take me back to the shelter, pleeeeease? Or just abandon me on the side of the road somewhere. At this point, I'm not picky."
Lavinia's person had a passion for Edwardiana and liked to dress Lavinia up in lace. Lavinia yakked up a hairball on said lace as often as possible.
After getting his new hamster house, Scritchy mentally made out his to do list for the day:
1) Sleep in house all day.
2) Eat house at night.
3) Bite owner while she was cleaning up the resulting blue droppings.
Lucky had always felt he was a lion trapped in a cat's body.
Anna had taken the phrase "purse dog" a little more literally than Mickey thought necessary.
"Maybe I shouldn't have peed on her last four boyfriends."
Nothing made Sprig and Sprog feel closer than wearing their matching sweaters. Unless it was sniffing each other's butts.
"Turn me into a Koopa, will you? I am totally hitting 'reset' on your game the next time you play Super Mario."
Saturday, 24 August 2013
Intarsia, Intarsia Baby
While working on the 1990s post for my 20th Century series, I stumbled across what might be the penultimate nineties knitting: New Kids on the Block and Vanilla Ice fan sweaters. These sweaters were made by Joanne Conklin, who, as she explains on her blog:
We were living in Germany at the time and bands like New Kids On The Block were huge with the teen set. However, there were no fan t-shirts to be found anywhere, so I decided to knit sweaters. I made one for my daughter, then her friends, and word-of-mouth spread and the next thing you know I'd knit over a hundred of them, selling all but about 6 of them.
I can't get over the sheer level of detail and care that went into these designs, and the idea of knitting over a hundred of them stuns me. The New Kids on the Block and Vanilla Ice should have hired Conklin to design their fan merchandise. If you are, or know a die-hard fan of these old bands (or just love ironic kitsch), you'll want to know if Conklin has published the patterns anywhere. It seems not. Conklin has moved around quite a lot since 1990 and is no longer even sure if the patterns still exist, or if so, where they are among her belongings. Oh well. At least we can still hang tough and check out the hook while the DJ revolves it, courtesy of YouTube.
Friday, 23 August 2013
Places Where You Can Knit in Reykjavik
If you're ever planning on going to Iceland, you might want to check out designer Stephen West's helpful video montage of all the places one can knit in Reykjavik. Some of these ideas will work much better than others, of course.
Thursday, 22 August 2013
The Knitter's Curse
"The Knitter's Curse" is a catchy and all-too-true little ditty by The Savoy Ballroom. Unfortunately a number of the examples of "knitting" that appear in the video are actually crochet, but perhaps that's just The Savoy Ballroom going the extra mile to portray a knitter's life as realistically as possible.
Wednesday, 21 August 2013
A Tale of Four Hats
It started out so innocently. Violet had always loved hats and wanted little Rose to wear hats, especially in the winter, and pixie hats were in for little girls in the 1940s, they really were. And little girls looked cute in almost everything.
Then, ten years later, because Violet was the kind of mother who would say, "I'm cold just looking at you!", she made her daughter something special for a formal at school, the Sequin Earmuffs pattern from McCall’s Needlework & Crafts Annual, 1952. Violet also made Rose a matching clutch and pumps.
For one Christmas present ten years later Violet made Rose the Pixie Loop Stitch Hat from Bangle Hats, published in 1962. She thought it would evoke all Rose's fond memories of the cones of yarn that always sat in her mother's craft room, and also be the perfect career girl hat.
But then it all seemed to go sour. Rose began to insist on making her own hats, and by the early seventies was sporting numbers like this one. Violet really could not understand where she had gone wrong in teaching her daughter to appreciate fine millinery, and prayed for death so that she might never see what her daughter was wearing on her head by the eighties.
Tuesday, 20 August 2013
Casting on and Casting Light
Perhaps you've made yourself a pouf, or bought one of Clare O'Brien's knitted stools or Bauke Knottnerus's Phat Knits, and are looking for a coordinating home furnishing piece to continue the knitting theme. Perhaps you'd like a lamp, but have rejected the knitted lampshade as not being meta enough. Well, in that case, I have a few home lighting ideas for you that represent the actual act of knitting. The Needle Table Lamp from Vitamin Living above being one.
This design is Louisa’s Loup Light, created by Louisa Pacifico. The design is mains operated and is available in various colours and materials.
This is the "Granny Lamp", by Sebastian Errazuriz, which is made of knitted electrical cable. I don't know if it's at all available commercially, and I think if it were to be, Errazuriz would have to consider renaming it.
Monday, 19 August 2013
Twist Collective Fall 2013: A Review
Twist Collective has released their Fall 2013 issue, which incidentally is their fifth anniversary issue. And it's a solid issue, with few very designs that I'd consider bad. My one complaint is that there are too many very standard, traditional patterns in this issue, patterns that (although they are perfectly competent and attractive and can't be faulted on their own merits) make me feel like I've seen them before or even recognize as a near replica of a pattern I already own. But let's have a look at the designs.
These are the Perfect Storm mittens. They're cute and innovative. I like the stylized wave design and storm-tossed sailboat.
The High Street cardigan is a nice, serviceable design.
The Vinland hat and mittens set are quite eye catching.
The Bosun pattern, which is otherwise a no-frills cardigan, manages to look quite innovative with the simple use of an all-over chevron pattern. I like it, and I especially like that the designer has taken the trouble to connect the chevrons on the top of the sleeve with the chevrons on the body of the sweater. Nice work!
The Ossel design is a fairly standard cable pattern dress, and not a terribly flattering one, though it looks warm and comfy.
The Trigonometric socks pattern is cute. The squiggles make a nice change from the usual cables.
I can't say I care for the boxy Sarannis jacket. It's not going to look good worn open, and it doesn't look all that good buttoned.
I do rather like the Bevel pullover, though I know I could never wear it — with that empire-like lines created by the stitchwork over the chest, it's not for the well-endowed woman.
The Ballast pattern is a lovely little tam and fingerless gloves set.
The Doverfell design is a goodie basic hoodie pattern with a bit of textural interest down the front. Do try to match the zipper better than has been done in this sample, though. The black one looks rather baldly utilitarian here.
The Doverfell design scaled down to a child's version. It works equally well in a smaller size.
The Farthingale is a wearable pullover with some interesting detail. The lacing effect on the sleeves and sides really stands out.
I like the Zigreta pullover, though I'm not sure the little split in the ribbing of the neckline is adding anything. The sweater is interesting enough without it, and it just seems like a distracting detail. It can be easily not included if you feel the same way.
The Cemara shawl is a gorgeous pattern, and it comes with three size options so that you can make a shawl to be worn in the way you like best. I seem to recall that Twist Collective has offered shawl size options in previous issues that I've reviewed, and it's a great idea.
The Charette design is a good example of a very traditional design. Women have been wearing sweaters very like this one for the last century.
The Periphery Shawl is another attractive and intricate lace shawl.
The Hawser pullover is another fairly standard but nice design.
The Cerris is another beautiful shawl with directions for knitting it in two different sizes. The elongated shape gives it a slightly different air than the usual shawl.
The Rafters design is another very traditional pattern, this time for a basic cabled cardigan. I must admit I do like a shawl collar, and this one sits very well.
The Morel hat and scarf is another competent and attractive yet quite standard design.
Ah, finally something that's a bit fresh and different. The Couronne cardigan is really cute. Great use of a variegated yarn, and having the floral motif run along the side seams is a really nice touch. I have my suspicions that this sweater might look a little shapeless through the lower body, but if that's the case you can always add a little waist shaping.
The Literati design is another very standard cardigan.
Very much like the Silverstone henley. The flattened-out cables are an interesting and unusual texture, and that's a good button choice that really elevates the whole sweater.
The Foxcroft design is another quite traditional pattern, though there are a few little unusual choices made here: the very open shawl collar and the broken lattice cable pattern on the front.
The Svanhild turtleneck is another traditional style, though I will say it's a stellar example of its kind. That cabled texture is beautifully intricate.
The Apple Catchers mittens are another basic pattern, although with very long wrists and very square tips. I wouldn't make them quite that long and I'd find a way to shape them more gracefully around the fingertips. They just look crude this way.
I love the two-tone patchwork effect of the Sweetspire shawl, though I can't say I personally care at all for the colours used here.
The Greystone shawl is beautifully textured, but I've got my concerns about its shape. How is that very long end going to look when it's actually on the wearer rather than flapping in the breeze?
The Topside pattern may have been so named to get your mind off how bottom heavy you're going to look in this sweater. This design is not only unflattering but just plain awkward looking.
The Gentian mittens design is just so pretty.
Love the graceful lacework in the Conflux sock pattern.
The Parure cardigan is quite attractive, though it's again fairly standard. I think I might take the cuffs in a slightly different direction if I were to knit this, either making narrower bands of pattern or copying the entire yoke pattern into the cuff band. They look a little out of proportion to me as they are.
The Underwing pattern is kind of neat, like a high-concept rendering of a butterfly, but I would so not make them in these Barbie's Dream House colours.
I was going to say I loved the detail on the front of the Hardanger jacket but didn't care for the shaping. Then I realized that the shaping is fine, but this beautiful, striking jacket has been victimized by some random, drive-by styling. This jacket is a statement piece and does not belong over a gathered calf-length skirt in hot pink. I'd put it over a tailored skirt or trousers in a neutral or dark solid colour, or even jeans. Just something simple and unobtrusive, at any rate.
The Penta shawl is lovely, with a more modern geometric textured look instead of the usual lace and cables.
These are the Perfect Storm mittens. They're cute and innovative. I like the stylized wave design and storm-tossed sailboat.
The High Street cardigan is a nice, serviceable design.
The Vinland hat and mittens set are quite eye catching.
The Bosun pattern, which is otherwise a no-frills cardigan, manages to look quite innovative with the simple use of an all-over chevron pattern. I like it, and I especially like that the designer has taken the trouble to connect the chevrons on the top of the sleeve with the chevrons on the body of the sweater. Nice work!
The Ossel design is a fairly standard cable pattern dress, and not a terribly flattering one, though it looks warm and comfy.
The Trigonometric socks pattern is cute. The squiggles make a nice change from the usual cables.
I can't say I care for the boxy Sarannis jacket. It's not going to look good worn open, and it doesn't look all that good buttoned.
I do rather like the Bevel pullover, though I know I could never wear it — with that empire-like lines created by the stitchwork over the chest, it's not for the well-endowed woman.
The Ballast pattern is a lovely little tam and fingerless gloves set.
The Doverfell design is a goodie basic hoodie pattern with a bit of textural interest down the front. Do try to match the zipper better than has been done in this sample, though. The black one looks rather baldly utilitarian here.
The Doverfell design scaled down to a child's version. It works equally well in a smaller size.
The Farthingale is a wearable pullover with some interesting detail. The lacing effect on the sleeves and sides really stands out.
I like the Zigreta pullover, though I'm not sure the little split in the ribbing of the neckline is adding anything. The sweater is interesting enough without it, and it just seems like a distracting detail. It can be easily not included if you feel the same way.
The Cemara shawl is a gorgeous pattern, and it comes with three size options so that you can make a shawl to be worn in the way you like best. I seem to recall that Twist Collective has offered shawl size options in previous issues that I've reviewed, and it's a great idea.
The Charette design is a good example of a very traditional design. Women have been wearing sweaters very like this one for the last century.
The Periphery Shawl is another attractive and intricate lace shawl.
The Hawser pullover is another fairly standard but nice design.
The Cerris is another beautiful shawl with directions for knitting it in two different sizes. The elongated shape gives it a slightly different air than the usual shawl.
The Rafters design is another very traditional pattern, this time for a basic cabled cardigan. I must admit I do like a shawl collar, and this one sits very well.
The Morel hat and scarf is another competent and attractive yet quite standard design.
Ah, finally something that's a bit fresh and different. The Couronne cardigan is really cute. Great use of a variegated yarn, and having the floral motif run along the side seams is a really nice touch. I have my suspicions that this sweater might look a little shapeless through the lower body, but if that's the case you can always add a little waist shaping.
The Literati design is another very standard cardigan.
Very much like the Silverstone henley. The flattened-out cables are an interesting and unusual texture, and that's a good button choice that really elevates the whole sweater.
The Foxcroft design is another quite traditional pattern, though there are a few little unusual choices made here: the very open shawl collar and the broken lattice cable pattern on the front.
The Svanhild turtleneck is another traditional style, though I will say it's a stellar example of its kind. That cabled texture is beautifully intricate.
The Apple Catchers mittens are another basic pattern, although with very long wrists and very square tips. I wouldn't make them quite that long and I'd find a way to shape them more gracefully around the fingertips. They just look crude this way.
I love the two-tone patchwork effect of the Sweetspire shawl, though I can't say I personally care at all for the colours used here.
The Greystone shawl is beautifully textured, but I've got my concerns about its shape. How is that very long end going to look when it's actually on the wearer rather than flapping in the breeze?
The Topside pattern may have been so named to get your mind off how bottom heavy you're going to look in this sweater. This design is not only unflattering but just plain awkward looking.
The Gentian mittens design is just so pretty.
Love the graceful lacework in the Conflux sock pattern.
The Parure cardigan is quite attractive, though it's again fairly standard. I think I might take the cuffs in a slightly different direction if I were to knit this, either making narrower bands of pattern or copying the entire yoke pattern into the cuff band. They look a little out of proportion to me as they are.
The Underwing pattern is kind of neat, like a high-concept rendering of a butterfly, but I would so not make them in these Barbie's Dream House colours.
I was going to say I loved the detail on the front of the Hardanger jacket but didn't care for the shaping. Then I realized that the shaping is fine, but this beautiful, striking jacket has been victimized by some random, drive-by styling. This jacket is a statement piece and does not belong over a gathered calf-length skirt in hot pink. I'd put it over a tailored skirt or trousers in a neutral or dark solid colour, or even jeans. Just something simple and unobtrusive, at any rate.
The Penta shawl is lovely, with a more modern geometric textured look instead of the usual lace and cables.
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