Showing posts with label Vogue Knitting. Show all posts
Showing posts with label Vogue Knitting. Show all posts

Monday, 8 June 2020

Vogue Knitting Spring & Summer 2020: A Review


Vogue Knitting has released their Spring & Summer 2020 issue. Let's have a look at it, shall we?





#01, Structure. This is the first of six designs in what Vogue Knitting is calling a capsule collection. This piece is certainly the kind of reliable, versatile piece that works well in a capsule wardrobe. I'm not crazy about the mullet hem, but otherwise it's a classic that could be styled in any number of ways, and worn nearly anywhere.





#02, Staple. This is the kind of piece I'd rather buy than make because I find them tedious to knit and because knit tops like this are so readily available, but if you like a simple project and/or are really committed to making as many of your own clothes/gifts as you can, it's certainly a good t-shirt design as to shape and finish.





#03, Integral. This one's a little too minimalist for me, so much so that it looks unfinished, but the overall style has a "Mary Tyler Moore goes contemporary" vibe, and a woman could certainly do worse.





#04, Foundation. Knit skirts can be a challenge, but I think this one may pass muster. The shape is streamlined and classic, and the ribbing should help it keep its shape.





#05, Key. Good stitchwork and shape. I'd be inclined to add buttons and buttonholes, but then open front cardigans never sit well on me -- it's a boob thing.





#06, Elemental. Lovely.





#07, Zaffre. I like this on the whole -- the lace samplers and the lace and ribbed stitchwork used as edging makes for a good look -- but I'm not crazy about the notched collar, which comes across looking more bug than feature.





#08, Majorelle. Love the stitchwork in this. The shape is too boxy for my liking, but this is one of those linear designs that would be hard to reshape.





#09, Aegean. Love the "Edwardian blouse gone modern" vibe of this one. Maybe in my next life I'll have enough neck to wear it. I will say this design doesn't look all that practical for summer, as it will require an underlayer.





#10, Deep Dive. This is so beautiful I think I may have just found my wedding dress (and now I just have to find someone I'd care to marry). Both stitchwork and shape are excellent.





#11, Cable Trellis Dress. This is "from the archives" pattern, and was first published in VK's Spring/Summer 2002 issue. As soon as I saw the photo on Vogue Knitting's website I knew it was a re-run, and that I already had the issue it originally appeared in on my shelves, and it turns out I do indeed. It's a timeless piece that could have been worn to advantage at any time these past eighteen years.





#12, The White Way Cabled Pullover. This is the sweater version of the dress above, and the design concept works equally well in sweater form.





#13, Ripple Dress. This crocheted dress has excellent shaping and stitchwork like the "Deep Dive" dress above, but then again, it is crocheted, and the odds of my voluntarily crocheting myself an entire dress are about the same as my ever getting married. This dress does have a rather bare effect, which can be either a pro or a con, depending on your perspective.





#14, Conscious. This is a fun, contemporary take on the Breton stripe sweater, but I would nix the mullet hem.





#15, Curve. The colour and the styling give this lace shawl such an eye-catching, modern look.





#16, Reversal. Such a fun, energizing play of colour and texture in this one.





#17, Departure. The yarn for this shawl is Koigu Painter's Palette Premium, and having daubed more than a few palettes with paint myself, I have to agree that it's well named. The play of colour fascinates me, and the lace pattern and shaping is attractive as well.





#18, Tweed Chevron Pullover. I like the chevron stripes, but not the boxy fit. I'd neaten up the fit on this one considerably -- fortunately this is one of those designs that won't be compromised by a reshape. Honestly, the only things that ever look good to me in boxes are the goodies I order online and could hardly wait to have arrive.

Wednesday, 11 March 2020

Vogue Knitting Late Winter 2020: A Review


Vogue Knitting has released their Late Winter 2020 issue. Let's have a look at it, shall we?





#01, Overlapping Patches. When I saw the preview photo for this design on the VK website, I thought how much it looked like a Kaffe Fassett pattern. And then, upon viewing its Ravelry page, I learned it was in fact a Kaffe Fassett piece. His aesthetic is as distinctive as a fingerprint. The quilt-like design is a fun direction for knitting, and his colourway is masterful as always.





#02, Sunday Brunch. A very decent casual, relaxed piece. The collar sits well.





#03, Tea Time. The cardigan's nice, but I'm not sure how I feel about the combination of the (attached) collar and the standard v-neck of the cardigan. It looks a bit silly to me, but then it is a new look, and sometimes I mellow (or simply get worn down) on a new look that I disliked at first after I have had time to get used to them.





#04, Cocktail Hour. No need for me to mellow on this look -- I love it and would totally wear it myself. It makes me think of Joan Holloway's dictum of 1960, "Men like scarves." (For the record, I don't think men do find scarves an especial draw on women, and that 15-20 years later a more liberated Joan Holloway Harris would put it, "I like scarves.")





#05, Striped Pullover. This is an interesting and smart contemporary look. While I'm prone to suggest neatening up the fit/shape of designs, in this case I wouldn't, as I think this is a design that requires a loose shape and geometric lines.





#06, Fluo Flow. This one verges on afghan territory, but I think it remains just within bounds of wearing apparel. I rather like the way they've styled it.





#07, Ringwald. A classic open front cardigan.





#08, Ice Pop. I love the tartan pattern, but I would correct the dropped shoulders. I'm not crazy about the colourway, but then few knitters use the sample colours/yarn anyway. Picking out colours you love is part of the fun of knitting your own pieces.





#09, Vibes. Not bad. I won't suggest fixing the dropped shoulders, because I think that the lines of the brioche stitchwork make them work in this case, but I would suggest a new colourway, as this one is a little retina-searing.





#10, Geode. Very much like this one, with its striking abstract yoke detail.





#11, Gamine. Comfy "around home" sweater.





#12, Kyoto. This cowl is essentially a lovely sampler of knitting patterns. It looks better worn double than in "deflated inner tub" style, of course, but I've used this photo so you can see the stitchwork in it.





#15, Lady Susan. This collar is a lovely thing in itself, but I am not sure how one would actually wear it. I don't like the way it's styled here -- I think a crewneck sweater would pair better with this collar.





#16, Wentworth. With the last pattern ("Lady Susan"), we entered a Jane Austen category of design, in which the aesthetic takes a turn for the antique. The stitchwork on this capelet is beautiful, and it will add a touch of period drama to a classic outfit.





#17, Miss Bingley. This looks like one of the lesser designs in Knit Simple. Poor Caroline Bingley not only did not succeed in attracting Mr. Darcy, but must needs be saddled with... this.





#18, Morland. Love this one. It's both handsome and practical.





Neutral Gear Cabled Turtleneck. This a "from the archives" design, originally published in the 2002 special men's issue. It's classic menswear.





Lattice Cabled. Another reprint, this time from the Holiday 1986 issue. It's aged just as well as the previous pattern, which is to say -- not at all. But then that's menswear for you.

Monday, 17 February 2020

Vogue Knitting Winter 2019/2020: A Review


Vogue Knitting has released its Winter 2019/2020 issue! Let's have a look at it, shall we?





Pattern #1, Swathe. A very nice textured wrap. It amuses me that the styling is so very 1986 -- though if this were actually 1986, the model's sweater and hair would have been big enough for three women.





Pattern #2, Java. That is... a lot of hat. But I have no quibbles with the design of the hat other than that, so it may be the perfect thing for someone who likes to go big or go bareheaded.





Pattern #3, Warp/Weft. A simple, useful, bulky cowl in bamboo stitch.





Pattern #4, Scalene. Bulky, drapey ponchos are not my bag (see what I did there?) at all, but I must admit this is well done for what it is, even if I can't help think wistfully how much better it would look on a couch. I love the colour scheme and the rhythmic triangle pattern.





Pattern #5, Klein Reversible Wrap. Basic but useable.






Pattern #6, The Sophisticate. This reminds me of long, open-front cardigan my mother used to wear around the house back in the early eighties: it also had handy pockets, and 3/4 length sleeves that wouldn't get into the food whenever my mother was working in the kitchen. This is quite a wearable, practical item that can be styled in a variety of ways, though I will say I can't help wincing a little at the absurdly short sleeves. I would raise the dropped shoulders a little.





Pattern #7, The Grandfather. This one's a bit too utilitarian for me -- it reminds me of a Mao jacket. I think maybe this design is one that calls for an interesting and/or especially beautiful yarn, as it needs a little oomph.





Pattern #8, The Multitasker. I'd fix the dropped shoulders, and I think there are better colourway choices for this pattern, but otherwise this design is quite wearable, and could be a good stash buster.





Pattern #9, The Gradient. I'd raise the dropped shoulder and neaten up the fit a little on this one, but otherwise it's a polished, contemporary, appealing piece.





Pattern #10, Folkloric Sweater. Well, this is something different. I like it -- it's not only very eyecatching, but keeps me staring at it, checking out all the details.





Pattern #11, Tendril. Lovely, and the cable pattern is fantastic.





Pattern #12, Echo. A classic lace wrap.





Pattern #13, Arbor. Another wonderful little cabled capelet. I mean, just feast your eyes on that intricate cable pattern.





Pattern #14, Nouveau. The Ravelry page notes for this design compares it to Scottish designer Charles Rennie Mackintosh’s famous florals. I don't disagree, and it is certainly a beautiful piece, but it would have me terrified that it was going to catch on everything.





Pattern #15, Corolla. This is a lovely little jacket, though I would fix those dropped shoulders.





Pattern #16, Herald. A very attractive pullover. Despite this being a winter issue, Vogue Knitting does seem to be looking towards spring with some of their designs.





Pattern #17, Topiary. What a sweet little cardi.





Pattern #18, The Cable Guy. This is a "from the archives" pattern, which Vogue Knitting first published in 1962, reprinted in 1985, and is running again in this issue. Despite all the sweeping changes in fashion since 1962, I don't suppose there's been a year since it was originally published in which it would have looked dated. Such is the staying power of a classic cabled pullover.